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3.3: The Will West Case

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    52967
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    In 1903, at Leavenworth Prison in Kansas, the Bertillon clerk, while collecting the measurements of Will West, a recent arrival at the prison after having been sentenced to life for manslaughter, asked the young man if he had been previously incarcerated. Will West responded that it was his first time in prison. The clerk finished the measurements but believed that he had collected the same measurements for a person with the same name before and believed that Will West was not being truthful about his incarceration. Thus, the clerk consulted the Bertillon system filing cards where he found the near identical measurements having been recorded for William West, an inmate who had left the prison in 1901. When challenged by the clerk, Will West stated, “That’s my picture, but I don’t know where you got it, for I know I have never been here before.”

    When the discrepancy was pointed out to the Warden, M.W. McClaughry, he is known to have said, “This is the death of the Bertillon system,” and the very next day he signed an order replacing the anthropometric system with a system based on fingerprints. By 1905, fingerprints surpassed the Bertillon System as the king of identification.

    Black-and-white portrait of a man with short hair, wearing a high-collared coat and looking directly at the camera.
    Figure \(\PageIndex{1a}\):- Will West
    - Courtesy of the FBI
    Black and white portrait of a man with short hair, wearing a simple collar shirt, looking directly at the camera.
    Figure \(\PageIndex{1b}\):
    William West - Courtesy of the FBI

    In later years, the fingerprints of Will West and William West were recorded and compared. They did not match

    Historical document on "West Brothers" identification featuring multiple photographs and explanatory text.
    Figure \(\PageIndex{2}\):William and Will West - Courtesy of the National Law Enforcement Museum, Washington D.C. 1960

    This page titled 3.3: The Will West Case is shared under a CC BY-SA 4.0 license and was authored, remixed, and/or curated by David Doglietto.

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